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From Publisher's Weekly

January 30, 2023
Moushabeck makes her picture book debut with a quietly moving intergenerational reminiscence of a family's homeland, a place the narrator has "never been." The story opens on three sisters of Palestinian descent who treasure their father's bedtime stories of visiting his grandparents in the Old City of Jerusalem. His sensate accounts-accompanied by crisp, distilled digital illustrations from Madooh, also making her debut-bring to life the city's sights and sounds. He tells of beloved relatives (his sido, "a stern-looking, tarboosh-wearing, argileh-puffing, mustachioed man"), a drumming juice vendor who "played beautiful, intricate rhythms, using brass cups and saucers," the buzz of the family's café, and the homing pigeons Sido cares for, who instinctively understand "this is their home." The final scene returns to the present, showing the girls' family in a relaxed, happy mealtime preparation. But just outside the kitchen sits a key to the family's ancestral East Jerusalem home; it's an ever-present reminder both that "the ending of this story is not a happy one" and of their "hope of return." Though the vividly rendered lines don't contextualize the history behind the telling, the title's emotionally layered conclusion offers a strong jumping-off point for further discussion. Back matter includes a glossary of Arabic words and an author's note. Ages 5—8. Author's agent: Jennifer Laughran, Andrea Brown Literary.

From Kirkus

January 15, 2023
Three siblings of Palestinian descent listen to their father's bedtime story about a homeland they've never seen. Their father tells them how, as a child, he visited his grandparents Teta Maria and Sido Abu Michel in the Old City of Jerusalem. He began his day by eating ka'ak, his favorite breakfast, and afterward he went to the family cafe with his Sido. Moushabeck vividly describes the streets of East Jerusalem--the many languages spoken, the "colorful vendors" selling "everything from olive oil soap with rose water and heaping bags of za'atar to gold jewelry and embroidered textiles," and "the chanting of the muazzin's call to prayer mixed with the ringing of church bells." The day ends with Sido releasing the family's pigeons and telling the young boy they won't fly off--"This is their home." The story turns poignant as readers learn this was the last time the children's father saw Palestine, yet the siblings are filled with hope at the possibility of a return one day. Madooh's loose, earth-toned illustrations pair well with Moushabeck's words and capture both the characters' joy and sadness. The author doesn't offer much context as to why the family cannot return to their homeland--caregivers or educators may need to fill in some gaps. Still, it's a stirring tale with details that evoke the senses. (This book was reviewed digitally.) A beautiful tale of family, love for a lost homeland, and remembrance. (glossary of Arabic words) (Picture book. 4-8)

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