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From Cooperative Children's Book Center (CCBC)

Glory O’Brien is directionless as high school graduation approaches. She’s most comfortable looking at the world through a camera lens, and she views her own life with a certain dispassion, the way she views the people she photographs. But everything changes after she and her best friend, Ellie, drink the remains of a petrified bat. Glory can now see the history and the future of everyone she looks at. And the future Glory sees is unsettling: visions of a second U.S. Civil War that erupts around a charismatic, misogynistic leader who strips women of their civil rights. Glory begins penning her own “history of the future,” documenting what she understands will happen even as she remains firmly grounded in the present. This includes her on-again/off-again tolerance for commune-dwelling, home-schooled Ellie’s self-centered neediness, and her attempts to disrupt the silence that has always existed between her and her loving but still-grieving dad around her mom’s suicide when Glory was four. Glory delves into the past, too, finally accessing her mother’s darkroom, where photographs and journals reveal her mother’s own struggle with her place and perceptions of women in the world. A. S. King’s singular work is fearless, smart, and sophisticated, a multi-layered yet highly accessible novel. King boldly explores cultural and societal misogyny, embracing feminism while also affirming the importance of creativity, connection, and the way we sometimes need to be shaken up to see our lives and all that is possible more clearly. (Age 14 and older)

CCBC Choices 2015 © Cooperative Children's Book Center, Univ. of Wisconsin - Madison, 2015. Used with permission.

From Horn Book

Starred review from January 1, 2015
Still haunted by her mother's suicide years ago, seventeen-year-old Glory is certain she'll die young, too, and can envision no future for herself. Until, that is, she ingests dessicated bat remains and begins receiving eerie "transmissions" from people around her -- details about and images of their ancestors and/or descendants. The scenes from the future depict a shocking Second Civil War, sparked by rampant institutional misogyny, in which a white-haired Glory is a prominent rebel fighter. Maybe she does have a life ahead of her after all. As in King's Ask the Passengers (rev. 1/13) and Everybody Sees the Ants (rev. 1/12), magical realism serves to broaden the novel's societal critique (of parasitic friendships, dysfunctional families, and anti-feminism), expanding the book's purview and allowing Glory to comment on the past, present, and future. Again, the protagonist is deeply scarred yet buoyed by a wry sense of humor and a thoughtful intelligence; again, mysterious (and fascinating) visions provide the struggling teen with hope and a reason to live. Glory has always gotten crap for being a feminist ("Why did everyone mix up that word so much?") -- but it will make her important to the future uprising; instead of following in her mother's footsteps, she now knows she's destined for a long, and meaningful, life. King's distinctive approach to fashioning a story of adolescent strife results in a book that's not only thoroughly original but also uniquely compelling and deeply memorable. jennifer m. brabander

(Copyright 2015 by The Horn Book, Incorporated, Boston. All rights reserved.)

From Booklist

Starred review from September 15, 2014
Grades 9-12 *Starred Review* Glory and her best friend, Ellie, drink a bat. They mix its desiccated remains with some warm beer on an impulsive night, and now they see visions of the past and future for everyone they encounter. But Glory's not sure she has a future. She graduated high school with no plans for college, and she's worried that she's doomed to be just like her mom, a talented photographer who killed herself when Glory was only four. The future she sees for others, however, is plagued by misogynistic violence, and when she doesn't see herself or her descendants in any of the visions, she starts rooting around in her mother's darkroom and journals for clues that will help her free herself from a futureless fate. King performs an impressive balancing act here, juggling the magic realism of Glory's visions with her starkly realistic struggle to face her grief, feel engaged with her own life, and learn anything that she can about her mother. Imbuing Glory's narrative with a graceful, sometimes dissonant combination of anger, ambivalence, and hopefulness that resists tidy resolution, award-winning King presents another powerful, moving, and compellingly complex coming-of-age story.(Reprinted with permission of Booklist, copyright 2014, American Library Association.)

From Kirkus

Starred review from September 1, 2014
An indictment of our times with a soupcon of magical realism. The daughter of a gifted photographer who spun out Sylvia Plath-style, Glory seems bent on following in her mother's footsteps in more ways than one as she finishes high school. But after Glory and her lifelong frenemy and neighbor Ellie make a reckless late-night decision, they are cast headlong into a spell that allows them to see the pasts and the futures of the people who cross their paths, stretching many generations in both directions, and Glory's life changes course. As with King's other protagonists (Please Ignore Vera Dietz, 2010; Reality Boy, 2013), Glory's narration is simultaneously bitter, prickly, heartbreaking, inwardly witty and utterly familiar, even as the particulars of her predicament are unique. The focus on photography provides both apt metaphors and nimble plot devices as Glory starts writing down her visions in order to warn future Americans about the doom she foresees: a civil war incited by a governmental agenda of misogyny. Glory's chilling visions of the sinister dystopia awaiting the United States are uncomfortably believable in this age of frustrated young men filling "Pickup Artist" forums with misogynistic rhetoric and inexperienced young women filling Tumblrs with declarations of "I don't need feminism because...." With any luck, Glory's notebook will inspire a new wave of activists. (Fiction. 14 & up)

COPYRIGHT(2014) Kirkus Reviews, ALL RIGHTS RESERVED.

From School Library Journal

Starred review from September 1, 2014

Gr 9 Up-King returns with another wholly original work of magical realism. This eerie, provocative title centers on Glory O'Brien, on the verge of graduating high school. Though talented and whip-smart, Glory is an outsider whose social interactions are largely limited to her only friend, Ellie, who lives across the street in a commune, and her father, a one-time painter who's been floundering since the suicide of Glory's mother 12 years earlier. Both girls realize they have the power to see the past-and future-of strangers around them, and Glory slowly understands that an incredibly disturbing, Handmaid's Tale-esque future lies in store, with the rights of women and girls being eroded and a second civil war breaking out. The teen is confronted not only by her future but by the past: she fears that she'll go down the same path as her psychologically unstable mother and begins to learn about a falling-out that took place between her parents and Ellie's years ago. As with works such as Ask the Passengers (2012) and Everybody Sees the Ants (2011, both Little, Brown), King has developed an unusual protagonist, yet one with a distinct and authentic voice. Elevating herself above the pack and imbuing her novel with incredible nuance, King artfully laces themes of disintegrating friendship, feminism, and sexuality into the narrative, as well as some provocative yet subtle commentary on the male gaze and the portrayal of women in our culture. This beautifully strange, entirely memorable book will stay with readers.-Mahnaz Dar, School Library Journal

Copyright 2014 School Library Journal, LLC Used with permission.

From Publisher's Weekly

Starred review from August 18, 2014
High school graduation has already prompted Glory O'Brien to confront the chronic malaise she's felt since her mother's suicide 13 years earlier. Then she and Ellie, a friend who lives in a hippie commune across the street, swirl the ashes of a mummified bat (you read that right) into their beers, and both girls begin receiving "transmissions" from everyone they encounter: "We could see the future. We could see the past. We could see everything." From these visions, Glory learns of a second Civil War, set in motion by misogynistic legislation aimed at preventing women from receiving equal pay for equal work. Writing an account of the events she's learning about from the transmissions helps Glory see a future for yourself and understand the ways in which her mother's legacy and her father's love have shaped her into the thoughtful, mature young woman she is. The bizarre bat-swilling episode recedes, revealing a novel full of provocative ideas and sharply observed thoughts about the pressures society places on teenagers, especially girls. Ages 15â€"up. Agent: Michael Bourret, Dystel & Goderich Literary Management.

From AudioFile Magazine

From the moment Glory O'Brien and her friend, Ellie, drink beer mixed with petrified bat ashes, an incredible transformation occurs. "We could see the future. We could see the past. We could see everything." Narrator Christine Lakin makes the magical sound reasonable. When Glory was 4, her mother committed suicide. Now, with high school graduation near, Glory is listless, with no plans for her future. Lakin delivers Glory's first-person narration with all her teenaged poignancy and pathos in place. Glory foresees a dystopian future, a rigid, restrictive nightmare in which a misogynistic government is in power, young women are sold, and women have few rights. Glory writes it all down, determined to awaken society from its lethargy. Lakin's sincere, intelligent performance makes it believable. S.J.H. © AudioFile 2014, Portland, Maine