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From Cooperative Children's Book Center (CCBC)

Set just after World War II, a young girl’s first hunting trip with her father is also a chance for the two of them to start to know each other again. “I sit shyly in the front seat of the car next to the stranger who is my father… Daddy. Daddy. Daddy. Saying it feels new… The war has lasted so long. He has been gone so long.” A stop at a diner for breakfast—two pieces of cherry pie—creates a private joke between them when the waitress mistakes her for a boy in her huge flannel shirt, braids tucked into the collar. But she’s nervous about hunting. Her father has put her in charge of the crow call, yet she doesn’t want him to kill the birds. And he doesn’t. Instead, the two spend a morning enjoying nature—including the frenzy of circling crows responding to her call—and one another’s company. Lois Lowry’s autobiographical tale includes a wonderful black-and-white picture of herself as a child, wearing the oversize flannel shirt she describes in the story. The muted, late-autumn palette of Bagram Ibatoulline’s illustrations conveys a sense of the past in a richly told story that will resonate for many contemporary children. (Ages 5–9)

CCBC Choices 2010 © Cooperative Children's Book Center, Univ. of Wisconsin - Madison, 2010. Used with permission.

From Horn Book

January 1, 2010
In the quiet early morning, Liz and her father, a recently returned soldier, embark on a crow hunt. Throughout the process, they forge poignant new connections while becoming reacquainted. Based on Lowry's own experience, the story is conveyed with a sensitive, lyrical voice. Ibatoulline uses touches of light in his realistic watercolor and acryl-gouache paintings, bringing warmth to the barren November landscape.

(Copyright 2010 by The Horn Book, Incorporated, Boston. All rights reserved.)

From Booklist

Starred review from October 15, 2009
Grades K-3 *Starred Review* Drawing on a childhood memory, Lowry offers a story where the specific becomes universal. Lizzies father is back from the war, and to her, he is almost a stranger. He doesnt even know how much she loves cherry pie. But he does understand when she picks out an unconventional adult-size hunting shirt, which at least she wont outgrow. One cold morning, Lizzie dons her shirt and goes out with Daddy to hunt crows. Crows eat crops; of that theres no doubt. Daddy has his shotgun. Hes given Lizzie a crow call so she can gather the birds together in the trees. In a subtle dialogue, Lizzie says things without saying the big thing on her mind: I wish the crows didnt eat the crops. . . . They might have babies to take care of. Not wanting to disappoint her father, Lizzie calls the birds until they fill the sky, and then, after a breathless moment, her father, not wanting to disappoint Lizzie, takes her home. Each frame of the story is captured like an old-time movie in Ibatoullines tender watercolor and acrylic gouache artwork. Particularly effective is the double-page spread in which father and daughter walk among the leafless trees on that chilly autumn day, when their words seemed etched and breakable on the brittle stillness. In the end, words arent needed after all.(Reprinted with permission of Booklist, copyright 2009, American Library Association.)

From School Library Journal

Starred review from October 1, 2009
K-Gr 4-Based on the reminiscence of a day in 1945, Lowry's nostalgic story has appeal that will resonate with 21st-century children. Lizzie's father has just returned from serving in World War II and she's a bit shy even though she's excited about spending the day with him. They are going to hunt crows that are eating the farmers' crops. The eight-year-old is warmly dressed in a man's plaid wool shirt that she had admired in a store window and her father bought for her even though it comes down to her knees. After an early diner breakfast of her favorite cherry pie, they head toward the woods. Being in charge of the crow call, a whistle intended to lure prey to the hunter, Lizzie is impressed with the number of birds she entices, yet feels uncomfortable because they are about to be killed. However, her father never raises his rifle; he simply enjoys watching his enthralled daughter and the multitude of birds that have heeded her call. Remarkable, atmospheric illustrations reveal the subdued, cool autumn colors of crunchy dried grass, softly hued sky, and dark leafless trees. The memory of a treasured day spent with a special person will resonate with readers everywhere."Maryann H. Owen, Racine Public Library, WI"

Copyright 2009 School Library Journal, LLC Used with permission.

From Publisher's Weekly

Starred review from September 28, 2009
A parent returning as a stranger after WWII could be a difficult situation, but in Newbery Medalist Lowry’s first picture book, drawn from her childhood, the reunion brings warmth and trust. Out on a fall hunting trip with her father, Lizzie is quiet with apprehension (“Daddy
. Daddy
. Saying it feels new”). Yet he respects her wishes, even when they’re quirky. When she longs for a plaid hunting shirt many sizes too big, he endorses her choice: “You know, Lizzie... You will never ever
outgrow this shirt.” He orders three pieces of cherry pie (her favorite food) for breakfast. She’s worried about the idea of hunting; he gives her the crow call—“I’m pretty sure you can handle it”—and the crows gather like magic. To her relief, her father never fires his gun. Ibatoulline (The Scarecrow’s Dance
) fittingly dedicates his artwork to Andrew Wyeth. The Pennsylvania countryside, in shades of gold and fawn, undulates behind Lizzie and her father, the quiet colors echoing the intimacy they share. It’s a loving representation of a relationship between parent and child, and an elegy to a less ironic era, while fully relevant for today’s military families. Ages 9–12.

From AudioFile Magazine

With her father, newly returned from the war, Lizzie heads off on her first hunting trip. Lois Lowry shares a personal memory that has universal appeal. The gentle plot revolves around the moments in which Lizzie and her dad get to know each other again as well as Lizzie's quest to carry out the crow call. Julia Fein's voice is gentle and pure--perfect for a girl on a special expedition. Lizzie's hesitancy and spontaneity shine as Fein narrates at a leisurely pace yet enunciates with crystal clarity. Listeners can't help but imagine they're in the woods with Lizzie, her dad, and the crows on their early morning of discovery. A.R. (c) AudioFile 2011, Portland, Maine